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If you have found this blog, it probably means you were searching for something that isn’t in the public eye. My intention is to promote awareness of artists that you would otherwise likely never know existed. If you like what you hear, support the artist by purchasing their music so that they can continue to create, and enjoy the release in the quality they intended.

Over the years this has grown into my own personal project, reviewing the artists that I discover and interest me. If you wish to see more of my work, particularly my more metal-orientated material, you can find me as a regular contributor for the online magazine
Axis of Metal.

Desultor – Masters of Hate

Posted by T. Bawden Tuesday, 1 May 2012


Desultor – Masters of Hate – 3.5/5

If anyone can still recall the last time someone tried to incorporate Power Metal elements with an extreme genre of metal music, namely Demoniac, you'd probably understand my worry about how awful the combination can become, and whilst these guys take an altogether different approach to the combination, utilising an old school Swedish death metal tone and coupling it with power metal vocals, that worry was nonetheless prominent in the back of my mind. The conception remarkably different, it is only upon listening to what I had little hope for that I realised the two genres may have more in common than I first considered. Double drum kicks are almost as common in Power Metal now as in more extreme genres, the riffs are often different more in tone than in the technical details, and certainly both genres lend themselves well to “Epic” and “Progressive” monikers.

It never comes across as a case of a band unable to decide what genre they wanted to play so haphazardly mixed elements of two, they've focussed on what commonality is shared between the two styles and through this odd blend a coherent sound emerges. The vocals carry a sense of power but lend an ethereal, almost doom-like darkness to the proceedings, and whilst he comes short of delivering on a mind blowing performance he lends a welcome variety to his range, and it is the atmosphere he conveys that carry many of the tracks forward. It's so pivotal in fact, that almost five full minutes of this thirty minute release are spent on ambient work, reminding and reinforcing the tone that, arguably, should be present within each of the songs themselves.

The major issue presented here is in trying to find a match of the two styles that works, they've left themselves with too little wiggle room for creativity. It sounds almost odd to think that such a blend could end up being boring but ultimately that is the crux of the problem; solo's emerge all too infrequently enough to maintain the interest and the riffs are repeated for far too long and feel uninspired, the same style of 'Gothenburg' riffs and excessive use of quick pull off's between chords lending the only recycled variety to the melodies. The vocals are present but feel purposeless and unemotional, the drums mechanical and lifeless. There's a sense of catchiness to some of the lines but they all become forgettable in the end. Desultor have spent so much effort in trying to find a sound that works that they've forgotten to write interesting compositions, and that's a shame as you would think they'd have already done the hardest part.

Highlights: Division Insane, The Luxury of Pain, Master of Hate



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Guide

Guide to the Ratings
0/5 - This caused me physical pain
1/5 - This is really bloody awful
2/5 - This was below average
3/5 - This was above average
4/5 - This was pretty darn good.
5/5 - I cannot fault this epitome of perfection.

I cant guarantee all reviewers adhere to these guidelines, but work as a general guide.

Author's credit is given on all posts.