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If you have found this blog, it probably means you were searching for something that isn’t in the public eye. My intention is to promote awareness of artists that you would otherwise likely never know existed. If you like what you hear, support the artist by purchasing their music so that they can continue to create, and enjoy the release in the quality they intended.

Over the years this has grown into my own personal project, reviewing the artists that I discover and interest me. If you wish to see more of my work, particularly my more metal-orientated material, you can find me as a regular contributor for the online magazine
Axis of Metal.

Sofa King Killer – Midnight Magic

Posted by T. Bawden Thursday, 29 October 2009


Sofa King Killer – Midnight Magic – 3.5/5
http://www.mediafire.com/?mymyntjtnxm

I’ve always considered that in order to be a ‘perfect’ sludge band, rather than be the most original (the genre has been consistent for a number of years, but not perhaps the most inventive) you must satisfy two conditions. You need to have a big loud bass, creating a thick tone that envelops you in a wall of sound, and you need to have a certain insatiable groove that keeps you hooked. With a strong southern rock twang about them, some of the grooves that are presented in this album go up there amongst the best; aggressive, yet simple and often mid-paced magic.

Sadly, whilst the grooves are insatiable, they are the main stand-out in this album. The bass is prominent but altogether clouded in the back, and whilst he does his duties in thickening the tone, at no point does he truly create a barrage of bass the music could have desperately used. The drumming is basic, and often seems to struggle to find creative means to perform, abusing the cymbals all too often, he is left in the back, and without a bite he feels all too harmless. The vocals have a hoarse yell to them, but as with the drums, feel too far back in the production to deliver their impact.

The result of all this is that the album becomes very guitar orientated, and whilst this isn’t necessarily a bad thing – the riffs are nicely varied throughout and never really falter – it results in the whole piece becoming a blur. Too easily does the album pass you by without you realising; there isn’t enough of a change in the tone to snap your attention back into focus. Instead you get a piece that is consistently good, with little standing out as being good or bad. They have stayed well within their comfort zone for this debut effort.

You can enter the album at any point and find a bass-laden southern groove to nod your head to in appreciation, with layers of mid-tempo guitar rhythms galore; it’s certainly a fine short-term fix, but ultimately lacking that long term appeal. The entire release is like a lion without its fangs, slowly strutting its stuff before kicking into action; the vocals will howl at you, and this kitten has some powerful claws, but it’s lacking that bite needed to finish it off. Altogether it’s a promising debut from an artist struggling to find their feet, and hopefully they’ll get the opportunity to prove they can distinguish themselves from the pack.

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Guide to the Ratings
0/5 - This caused me physical pain
1/5 - This is really bloody awful
2/5 - This was below average
3/5 - This was above average
4/5 - This was pretty darn good.
5/5 - I cannot fault this epitome of perfection.

I cant guarantee all reviewers adhere to these guidelines, but work as a general guide.

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