If you have found this blog, it probably means you were searching for something that isn’t in the public eye. My intention is to promote awareness of artists that you would otherwise likely never know existed. If you like what you hear, support the artist by purchasing their music so that they can continue to create, and enjoy the release in the quality they intended.

Over the years this has grown into my own personal project, reviewing the artists that I discover and interest me. If you wish to see more of my work, particularly my more metal-orientated material, you can find me as a regular contributor for the online magazine
Axis of Metal.

Disbelief – Shine

Posted by T. Bawden Tuesday, 4 August 2009

Disbelief – Shine – 4.5/5

How do you match the unconventionality of ‘Kludde;’ a mixture of black metal and sludge? Welcome to the other side of the extreme spectrum; an atmospheric blend of Sludge and Death Metal. A merging of styles, the sludge groove making a prominent appearance through the thick atmospheric bass, providing a demonic mid-paced mood filled with despair ridden emotional vocals and cleaner guitars layered on top. This is groove riddled ‘Cult of Luna’ without those annoying slow monotonous sections, a (early) ‘Amorphis’ blended with ‘Bolt Thrower’, or ‘Fen’ if they took lessons from ‘Eyehategod’ on how to sound downright dirty.

The drums are perhaps the least impressive in this line-up, providing no shortage of rhythms and beats, supplying the occasional fill they do more than what’s required of them but all too often feel overshadowed in the end result – but not by being too far back in the production; they come through prominently assisting in supplying the atmosphere, instead its just the wealth of rhythms provided by the other instruments that draws focus away from them. The bass comes through loud and clear and bears the brunt of the responsibility in creating the backing atmosphere, thick and deeply distorted he performs riffs that complement the guitars without simply following them and creating the base rhythm to work from.

Layered on top are cleaner guitars performing thick chord based riffs or thinner ‘twangy’ riffs, juxtaposing the altogether thick tone, cutting through to supply an additional layer of instrumentation. Couple the guitars with the vocal work, working the lower mid-range in an emotionally drawn out manner, it results in a tone of despair somewhere between the most depressive of the doom genres and the more melancholic death metal outfit. Perfectly suited to this particularly unique style they provide a sense of emotion sustaining it for multiple listens, adding to the atmosphere already produced.

It is more than just the individual instrumentation here, the manner in which the combine complements each other, fitting seamlessly each track feels like a solid entity rather than perhaps disjointed as other artists can. It’s not the most technical piece, but it succeeds in maintaining an emotional feel whilst simultaneously providing an addictive sludge groove. With only a couple of sub-par tracks letting it down, and the lack of variation in the tempo – particularly with regards to some of the riffs – this remains one of the stronger discoveries in this special.

Highlights: No Control, Me and My World, Honour Killings



Blog Archive


Guide to the Ratings
0/5 - This caused me physical pain
1/5 - This is really bloody awful
2/5 - This was below average
3/5 - This was above average
4/5 - This was pretty darn good.
5/5 - I cannot fault this epitome of perfection.

I cant guarantee all reviewers adhere to these guidelines, but work as a general guide.

Author's credit is given on all posts.