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If you have found this blog, it probably means you were searching for something that isn’t in the public eye. My intention is to promote awareness of artists that you would otherwise likely never know existed. If you like what you hear, support the artist by purchasing their music so that they can continue to create, and enjoy the release in the quality they intended.

Over the years this has grown into my own personal project, reviewing the artists that I discover and interest me. If you wish to see more of my work, particularly my more metal-orientated material, you can find me as a regular contributor for the online magazine
Axis of Metal.

Congenital Hell – Into the Doom

Posted by T. Bawden Sunday, 23 August 2009














Congenital Hell – Into the Doom – 2.5/5
http://www.mediafire.com/?wmuoymnnyyn
http://www.mediafire.com/?nmzmidikmyv

And so it was through looking for any news on a new ‘Gallhammer’ release that I discovered this bizarre side-project of Vivian Slaughter, where she provided the lead vocals for Gallhammer here she presents a saxophone to the proceedings. Perhaps best described as an Experimental Sludge/Doom/Black type outfit, this needless to say had caught my attention, but sadly despite its absolute bizarre nature, becomes all too easily monotonous and forgotten.

The drums are one of the few aspects that feel consistent, displaying no flare but constantly maintaining a beat to keep the rest of the instrumentation in time, which is no small feat in itself. It is on top of this that the guitars produce for the most part basic riffs, at times becoming lost through the other instrumentation. The riffs that are provided could perhaps suffice for a 5 minute track, being interesting and relatively catchy with a thick sludge-like distortion, but when repeated for the best part of a 36 minute track, suffice to say it gets old well before the tracks conclusion.

The use of saxophone is done in a shrill manner, at times feeling like simple feedback and bringing into question whether she actually knows how to play, as for much of the tracks duration the rapid fluctuations in pitch seem random and sporadic, resulting in a chaotic tone over the perhaps more depressive backing atmosphere. The vocals, too, feel like another instrument to be utilised, displaying a raw high pitched blackened growl with production low enough to feel like a distant monotonously droning heavily distorted instrument.

With a run time of 66 minutes and 6 seconds, it all feels as though it’s something of a bad joke. I could perhaps see more to this if each layer presented their own interesting line throughout the track (e.g. Birushanah) but that simply never arrives. The result is a chaotic despair filled atmosphere that’s unconventional to say the least, but ultimately feels rather disappointing.

Highlight: Solitude

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Guide to the Ratings
0/5 - This caused me physical pain
1/5 - This is really bloody awful
2/5 - This was below average
3/5 - This was above average
4/5 - This was pretty darn good.
5/5 - I cannot fault this epitome of perfection.

I cant guarantee all reviewers adhere to these guidelines, but work as a general guide.

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