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If you have found this blog, it probably means you were searching for something that isn’t in the public eye. My intention is to promote awareness of artists that you would otherwise likely never know existed. If you like what you hear, support the artist by purchasing their music so that they can continue to create, and enjoy the release in the quality they intended.

Over the years this has grown into my own personal project, reviewing the artists that I discover and interest me. If you wish to see more of my work, particularly my more metal-orientated material, you can find me as a regular contributor for the online magazine
Axis of Metal.

Countess – Heilig Vuur

Posted by T. Bawden Tuesday, 19 May 2009















Countess – Heilig Vuur - 4/5
Side One: http://www.mediafire.com/download.php?y22waonzvqj
Side Two: http://www.mediafire.com/download.php?ommd0honj2j

When one thinks of great black metal bands, they often associate with a country; Norway and France are popular choices. United States and Russia are not uncommon. The Dutch really don’t come up very often. Yet here stand one of the most solid traditional black metal albums out there, written entirely in Dutch, by one-man known to the world (ha-ha) as Orlok. Orlok’s Countess can really be summed up with the idea of traditional, or ‘orthodox’ black metal. There are no big outside influences, nor not much separating this from other black metal bands, outside it’s better song-writing, better use of traditional elements, such as keys or samples, better atmosphere. This is just really better then most traditional black metal.

What turns me off from a decent portion of bands like these is they often have the most distracting drumming parts ever. Because it’s just one person programming the drum tracks, they think it’s okay to have light-speed drumming that sounds weak and purposeless. Thank Christ this is not the case here. Orlok keeps the drumming between mid-tempo and fast rock beats, and use the drum tones to actually keep a normal, pounding beat. The guitar is that strong balance between riffy and tremolo-wall-of-sound that makes the band sound different, when it’s really quite ordinary. Can’t hate on it though, because it works, it sounds cool, and it doesn’t have to be strikingly original to do either of those things. The thing that sold the band for me is the vocals. I’m just a sucker for those black sounding rasping growls that sound like they’ve been digitized and run through static, giving that whole other-worldly evil vibe. It’s one of those things I just can’t resist, and the chorus to the title track just works that so well.

Top tracks are Heilig Vuur, De Wilde Jacht, and Drakendoder, though the last couple of live tracks are quite fun in their own right. The basics of this album are old school black metal that uses traditional black metal elements sparsely and well, with a solid production. The reason it doesn’t get a higher score is that it doesn’t feel epic or advancing, as if it’s doing anything for the genre. A band doesn’t have to do that to be good, but in my opinion; it does in order to be perfect. Nonetheless, incredibly solid album. Pick it up for some good black metal.

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Guide to the Ratings
0/5 - This caused me physical pain
1/5 - This is really bloody awful
2/5 - This was below average
3/5 - This was above average
4/5 - This was pretty darn good.
5/5 - I cannot fault this epitome of perfection.

I cant guarantee all reviewers adhere to these guidelines, but work as a general guide.

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