If you have found this blog, it probably means you were searching for something that isn’t in the public eye. My intention is to promote awareness of artists that you would otherwise likely never know existed. If you like what you hear, support the artist by purchasing their music so that they can continue to create, and enjoy the release in the quality they intended.

Over the years this has grown into my own personal project, reviewing the artists that I discover and interest me. If you wish to see more of my work, particularly my more metal-orientated material, you can find me as a regular contributor for the online magazine
Axis of Metal.

Aya Kimiki – EvilAlive

Posted by T. Bawden Wednesday, 23 March 2011

Aya Kimiki – EvilAlive - 3/5

Downloaded on a whim (quite a lot of my music seems to have arrived that way of late) and looking for little more than something catchy with more of a rock backing than many of the J-pop artists seem to prefer, and on many levels this seems to supply just that. Indeed, from the right angle she would seem almost perfect; vocally she manages a range that puts others to shame (and is not afraid to use it), her vocals haven't seen much in the way of production work gone on it and the natural vibrato is left untouched. The backing involves an array of keyboard intros, melodic solo's and as many as three overlayed guitar lines, the drums providing their own fills if never given the body of attention and played as mechanically as a drum machine, and it doesn't take long before you find yourself happily humming along to the tunes.

And it'll be even quicker that you forget how that tune went. At less than half an hour long, she couldn't muster up a single track that I could remember for longer than five minutes, which might work for prolonging its appeal if it didn't all come flooding back the second it kicks off again. It's not electronic in the tracks conceptions but between the twanging guitars, mechanical drums and repetitive keyboards you could at times be forgiven for making this mistake. And that's not as much a statement about the production work as it is the tracks themselves; it feels soulless and by the numbers, designed to be a quick an easy sell, worked around a catchy vocal line and the rest filled it at the last minute by borderline improvised parts from the studio musicians hired to give her something to sing along to. Technically there's nothing wrong with it; the guitar solos are impressive and her voice is certainly nothing to be sniffed at, its just the songs themselves that suck.

Highlights: EvilAlive, One Week

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Guide to the Ratings
0/5 - This caused me physical pain
1/5 - This is really bloody awful
2/5 - This was below average
3/5 - This was above average
4/5 - This was pretty darn good.
5/5 - I cannot fault this epitome of perfection.

I cant guarantee all reviewers adhere to these guidelines, but work as a general guide.

Author's credit is given on all posts.